Kölner Kulturpaten Award Ceremony - Atlanta Weiss awarded by Andreas Wolter, Mayor of Cologne - picture by Rendel Freude

Thoughts

Cathedrals, Art Fairs, and Cultural Shifts: A New Chapter in Cologne’s Art History

June 21, 2025

The first art fair in the world was born in Cologne. In 1967, Art Cologne (originally Kunstmarkt Köln) made history as the world’s first art fair—an event that defined how contemporary art would be seen, traded, and remembered. It all started here, in a city anchored by another giant: the Cologne Cathedral, whose completion took a modest 632 years.

Kölner Kulturpaten Award Ceremony - Atlanta Weiss awarded by Andreas Wolter, Mayor of Cologne - picture by Rendel Freude
© Rendel Freude

You read that right. Six. Hundred. Thirty-Two. Years.

Cologne doesn’t do anything half-hearted. They take their time. They build things that matter. And when it comes to the cultural future of this city, I am deeply proud to have added (and will continue) a small, but very human brick into its foundation.

This week, I was awarded the Kölner KulturPaten seal for my contribution to the city’s art scene. Not for my creative work directly, but for mentoring and educating over 30 professional artists in Cologne in the fields of marketing, visibility, and entrepreneurial thinking.

In a time of massive transition in the art world, this award feels like a signal. A green light. A whisper from the cultural past saying: “You’re on the right path.”

The Shift Is Here (And It Won’t Be Televised)

The traditional art world still orbits around a small circle of blue-chip galleries and legacy institutions. And while their significance remains solid—almost cathedral-like—the structures beneath are moving.

A new layer of the art world is forming. One that is:

  • More decentralised
  • Artist-led
  • Powered by education, technology, and community

Yet, most art academies are years behind. They don’t have the curriculum or capacity to teach artists how to survive, let alone thrive. That’s why this kind of mentoring matters. Not as a side project. But as the foundation of a new art economy.

Why This Matters to Collectors and Institutions

As a collector, curator, or museum director, you already know that investing in the future of culture means staying alert to what is emerging—not just what is already established.

The next artist who will shift the conversation might not be represented by a blue-chip gallery yet. They might be independent. They might be building their audience digitally. They might be producing deep, meaningful work while running a business themselves.

The younger generation of collectors is already seeing this. As noted in Larry’s List’s article on new collector trends, emerging buyers are no longer waiting for permission from elite gatekeepers. They’re discovering artists on their own, often directly.

This isn’t a rebellion. It’s a renaissance.

And if you, as an institution or private collector, want to future-proof your collection, you should be looking here, too.

What This Award Represents

Receiving the Kölner KulturPaten Award is more than a local honor. It symbolizes that the city of Cologne is recognizing the need for artist education. For knowledge transfer. For visibility beyond the canvas. For helping artists not just create value—but capture it.

As an artist, I believe in the fusion of tradition and progression. I use Old Master techniques to create portraits that speak to the soul of our time. I build community. I write about the art economy. And teach the knowledge my younger self was desperately looking for.

This is my contribution to Cologne’s story. And I hope it inspires you to make space for this new wave of independent, visionary artists in your collections and curatorial thinking.

Because while the Cathedral took 632 years to complete, the next cultural milestone might already be forming in the studio of an artist you’ve never met. Yet.

Sources & Further Reading

Contact: For collectors, museums, or institutional collaborations: studio@atlantaweiss.art
Portfolio: www.atlantaweiss.art

My online education platform for artists: www.artwisdom.education

Atlanta

SECRETS OF A TIMELESS PORTRAIT

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IN THE ART STUDIO

ABOUT ATLANTA

"I am a second generation artist. I believe in the artistic traditions of the Old Masters AND in the conceptual thinking of our contemporaries."

You could call me an interdisciplinary artist, as I work in different media such as painting, photography, drawing and new media. I have remained true to the theme of my visual research for three decades: Identity, Image and Reputation.

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